OSC-1
A complete synth built from separate modules.
Four controls for plucks, pads, and everything between.
Engine preview
Not built for macOS, Windows or Linux
A stage of OSC-1. It works the same on its own page as it does in the chain, same parameters, same paths.
The amplitude ADSR. Attack, decay, sustain, release - the shape of a note over time, and the stage that turns the same oscillator into a bass, a stab or a wash.
Every row below is a recorded build row or the recorded absence of one. Nothing here is inferred from what this module is meant to support.
| Format | Result | Download |
|---|---|---|
| Browser package (JS) | Not built by this module's lane this module has no release.json; its packager lane records no browser program rows | Not built for the browser |
| Browser package (WASM) | Not built by this module's lane this module has no release.json; its packager lane records no browser program rows | Not built for the browser |
| VST3 | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS, Windows or Linux |
| Audio Unit | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS |
| CLAP | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS, Windows or Linux |
| Standalone app | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS, Windows or Linux |
Parity
No lane recorded an artifact; there is no parity evidence.
Start from a named sound, then adjust the instrument to make it yours.
Migration fallback: approximated from parameter groups, not a runtime wiring diagram.
A four-stage amplitude envelope applied per voice. Attack and decay run on exponential curves because linear amplitude ramps do not sound linear - the ear hears loudness logarithmically, and a linear fade sounds like it stalls at the end.
Release starts from wherever the envelope has actually reached, not from the sustain level, so releasing during the attack phase fades from that partial level rather than jumping up first.
A complete synth built from separate modules.
A resonant low-pass filter for shaping tone.
Two oscillators with independent pitch, level, and stereo position.