OSC-1

OSC-1 is the flagship, and the flagship is a chain. Two oscillators and a noise layer feed a resonant filter, an amplitude envelope shapes the result, and then the effects rack runs in a fixed, musically-sensible order: drive, crush, chorus, tremolo, delay, reverb. That order is not a preference, it is the order the source synth has always used, and keeping it fixed is what makes a patch mean the same thing every time you load it.

What is different here is that none of those stages is welded shut. Each one is a real module with its own page, its own parameter table, and its own preview - the Filter stage in this chain is the same Filter module you can open on its own and play through a guitar take. When you learn a stage in isolation, you have learned it everywhere it appears.

Every effect stage starts bypassed, which is the same thing the source synth's Init patch does: the stage is built and sitting in the graph doing nothing, rather than absent and needing to be created. That is why toggling one mid-note does not click or drop the note - nothing is being rebuilt, the signal is simply being routed around a stage that was already there.

The preview here is the site's stand-in Web Audio engine, not the compiled kernel. The parameter names, ranges and defaults are ported from the real schemas so the vocabulary matches, but the sound is an approximation and none of the engine parity measurements apply to it.