OSC-1
A complete synth built from separate modules.
A resonant low-pass filter for shaping tone.
Engine preview
Not built for macOS, Windows or Linux
A stage of OSC-1. It works the same on its own page as it does in the chain, same parameters, same paths.
A resonant multimode filter - low-pass, high-pass, band-pass, notch - with an envelope contour. Nothing else in a subtractive synth changes the sound this much per degree of rotation.
Every row below is a recorded build row or the recorded absence of one. Nothing here is inferred from what this module is meant to support.
| Format | Result | Download |
|---|---|---|
| Browser package (JS) | Not built by this module's lane this module has no release.json; its packager lane records no browser program rows | Not built for the browser |
| Browser package (WASM) | Not built by this module's lane this module has no release.json; its packager lane records no browser program rows | Not built for the browser |
| VST3 | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS, Windows or Linux |
| Audio Unit | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS |
| CLAP | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS, Windows or Linux |
| Standalone app | Not built — the native export is blocked native-export.json records nativeEligibility "blocked" | Not built for macOS, Windows or Linux |
Parity
No lane recorded an artifact; there is no parity evidence.
Start from a named sound, then adjust the instrument to make it yours.
Migration fallback: approximated from parameter groups, not a runtime wiring diagram.
A second-order biquad in one of four modes. Cutoff sets its corner and Resonance sets the Q, which is emphasis at that corner rather than a separate resonance circuit - a real analogue ladder behaves differently at the extremes, and this does not pretend otherwise.
The contour is its own ADSR, separate from the amplitude envelope, sweeping from Base Freq upward by Env Octaves. That separation is the difference between this and OSC Mini, where one envelope does both jobs.
A complete synth built from separate modules.
Two oscillators with independent pitch, level, and stereo position.
Four controls for plucks, pads, and everything between.